The parish church of St. James the Greater Apostle was designed by architect Codussi, a native of Lenna who became famous in Venice; it houses Lorenzo Lotto's altarpiece “ Madonna in Glory and Saints (1541).
The exterior has a tripartite facade with a curved gable. Inside is a single nave with large pointed arches supporting the gabled roof. Three apses open in the chancel, of which the central one is larger Epoch of construction: 14th - 20th centuries.
The main elevation fully manifests its belonging to the typical taste of the early Renaissance, it is in fact extremely linear, tripartite with termination of the compartments given by arched gables. A simple circular rose window opens in the central one, while two narrow windows terminating in a semicircle open in the two side sectors. The portal has classical forms.
The interior has, with clear Gothic references, a single nave interrupted by the large ogive arches supporting the gabled roof. In the chancel are three apses covered by cross vaults and closing basin, the central one of which is larger.
The church during the late 16th century was also embellished with sacred vestments and furnishings including a silver monstrance with rays surmounted by a statuette of the Redeemer. In the late nineteenth century, work partly transformed the sixteenth-century layout, but it was in 1898 that the chancel was enlarged by reworking the definition of the polygonal-shaped chancel. The interior decoration was redone again at the end of the 19th century. The bell tower was raised in 1908. In 1944 it was completely restored, and in 1948 new stained glass windows were applied to the single-lancet windows of the facade.
